What if Ophelia were not dead? Four women driven by a shared force wander through reflections of water present both on stage and on screen. These troubled currents double their bodies, at once freeing them from gravity and exerting a destructive attraction on them. Starting from the Shakespearean figure of Ophelia, who drowned, the performance questions this ideal of beauty of a woman who is both victim and object of desire, through four contemporary incarnations.